May 02, 2024  
2021-2022 Catalogue 
    
2021-2022 Catalogue [ARCHIVED CATALOG]

Courses


 

 

 

Environmental Studies

  
  • ENVS 29903 - Urban Environments in Comparative Contex

    Course Credit: 1
    Maximum Credit: 0
    (PSCI)
    URBAN ENVIRONMENTS IN COMPARATIVE CONTEX Most of the world’s poor live in cities, yet much of what we know about the politics of developing countries comes from villages and towns. Coincidentally, most of what we know about urban politics comes from American sociology. Is there - and should there be - a politics of the global urban south? This course is developed as an elective for junior and senior undergraduates across disciplines in the social sciences. It draws on theoretical texts from American urban politics and sociology, focusing on the creation of an urban “class” and the challenges of state services, public goods and policing in American cities. This outline provides four broad thematic areas: (1) How is infrastructure considered “ontologically prior” to politics?; (2) How are cities linked to and separated from rural areas?; (3) How does the female, black and queer experience in urban space inform urban politics?; (4) Urban and electoral politics - using cases from North America, Pakistan and India, one of the major modules of this course will examine the role of cities in setting the agenda for national politics. This course is being offered with the support of the Political Science department as a Comparative Politics offering. [HSS]
  
  • ENVS 30000 - ENVS Interdisciplinary Seminar

    Course Credit: 1
    Maximum Credit: 0
    ENVS Interdisciplinary Seminar
  
  • ENVS 30001 - Waste & the Environment

    Course Credit: 1
    Maximum Credit: 0
    Waste and the Environment The composition, history, social use and ultimate fate of plastics, as well as a wider analysis of contamination of the environment by persistent and endocrine-disrupting synthetic chemicals.
  
  • ENVS 30002 - CAFOs and the Environment

    Course Credit: 1
    Maximum Credit: 0
    CAFOs and the Environment Industrial meat production and the factory-style confined animal feeding operations (CAFOs) produce the vast majority of the meat consumed in the country, yet few people have any idea how they operate, and they pose grave environmental risks. In this course, we will peel back the curtain on CAFOs and their environmental, human health, social, and ethical implications, using texts from multiple disciplines and various research methodologies.
  
  • ENVS 30003 - Sustainability

    Course Credit: 1
    Maximum Credit: 0
    Sustainability Presents a multidisciplinary perspective on environmental topics by examining in depth an issue of global and local significance from the perspectives of the natural sciences, social sciences and humanities. Students will apply fundamental concepts from various disciplines to understand, formulate and evaluate solutions to environmental issues. The spring 2016 section will focus on sustainability; we will consider various ways of defining sustainability, and discuss ways of moving toward sustainability, both in the world at large and on campus. [SJ]
  
  • ENVS 30004 - Managing Invasives

    Course Credit: 1
    Maximum Credit: 0
    Managing Invasives Invasive species management is an inherently complex, multi-faceted issue that requires an interdisciplinary lens in the assessment, development, coordination, and implementation of mitigating strategies. This course seeks to first disentangle the disciplinary underpinnings of “invasiveness” in both natural and managed ecosystems (i.e., what is an invasive species?), explore the multidisciplinary factors that lead to invasions, and then understand the emergent properties and unique synergisms that are required to manage invasive species at local, regional, and global scales.
  
  • ENVS 31000 - Sustainable Dev: Principles & Practices

    Course Credit: 1
    Maximum Credit: 0
    SUSTAINABLE DEVELOPMENT: PRINCIPLES AND PRACTICES This course will explore the intersection of development and sustainability. We will begin with a historical understanding of the idea of sustainable development, then shift to a more applied and experiential focus with an emphasis on case studies from around the world. Students will be come away with a deeper understanding of concepts that underlie sustainability, including the tragedy of the commons, the interface between population growth and resource use, societal solutions for increasing energy efficiency, and ecological economics. [HSS]
  
  • ENVS 35000 - Advanced Research Seminar

    Course Credit: 1
    Maximum Credit: 0
    Advanced Research Seminar A one-semester course that focuses on the research skills, methodology, and theoretical framework necessary for Senior Independent Study. Each student will complete the course by producing a research prospectus, including a literature review, as a leadup to Senior I.S. Course may be taught by one faculty or co-taught by two or more faculty. Annually.
  
  • ENVS 39902 - Perspectives on Invasive Species

    Course Credit: 1
    Maximum Credit: 0
    Perspectives on Invasive Species In this course, we will explore the concept of invasive species through a wide variety of fields, including ecology, history, sociology, and poetry. We will consider the definitions of native, alien, and invasive, asking what conditions lead to biological “invasions” across local, regional, and global scales. We will examine these ideas in relation to the complex history of human movement and changing relationship to the land. Focusing primarily on the U.S. (including Hawai?i) and the Caribbean, we will consider how invasion biology relates to the history of colonialism, immigration policy, and land management practices on those places.
  
  • ENVS 39903 - Advanced Research Seminar

    Course Credit: 1
    Maximum Credit: 0
    Advanced Research Seminar The course walks students through what it means to conduct research in environmental studies. The semester is broken into three units, designed to move juniors progressively towards the goal of conceptualizing and outlining their senior I.S.s. In the first unit, we read several prominent scholarly articles from environmental studies, dissecting them for lessons gained about conducting research in an interdisciplinary field. In the second unit, students begin to comb through literature pertaining to their own individual topics and refine their own research questions. In the third unit, students each write a research prospectus of 15-30 pages.
  
  • ENVS 41000 - Internship

    Course Credit: 0.5
    Maximum Credit: 1
    This course can only be added to your schedule by visiting the Registrar’s Office. If you do not visit the Registrar’s office, you cannot add this course to your schedule. In consultation with a faculty member associated with the program, students may arrange academic credit for supervised work in an applied setting that is relevant to topics in environmental studies. Placement may be on- or off-campus. Examples of on-campus internships might include work through the physical plant, exploring energy use on campus; through campus grounds, investigating aspects of campus plantings and land use; or through campus dining services, examining ways to promote local foods or develop a composting program. In addition to the work, an internship will include an appropriate set of academic readings and written assignments, developed in consultation with the supervising faculty member, that will allow the student to reflect critically on his or her experience. (.5 - 1.0 credit) Prerequisite: Prior consultation with the faculty member and permission of the chair of Environmental Studies. May be repeated. S/NC Annually.
  
  • ENVS 43000 - Experience in the Discipline

    Course Credit: 0.25
    Maximum Credit: 0
    Experience in the Discipline A structured learning activity in which students use their academic knowledge to engage in an experience that has real-world implications. Incorporates best practices in experiential learning. Typically includes an off-campus component. May be repeated. S/NC
  
  • ENVS 45100 - Independent Study Thesis

    Course Credit: 1
    Maximum Credit: 0
    INDEPENDENT STUDY THESIS The first semester of the Senior Independent Study project, in which each student engages in creative and independent research guided by a faculty mentor and which culminates in a thesis and an oral examination in the second semester. Prerequisite: ENVS 35000 or Junior I.S. completed in another department. Prerequisite(s): ENVS-35000 or ENVS-39903 Annually.
  
  • ENVS 45200 - Independent Study Thesis

    Course Credit: 1
    Maximum Credit: 0
    INDEPENDENT STUDY THESIS The second semester of the Senior Independent Study project, which culminates in the thesis and an oral examination. Prerequisite: ENVS 45100. Annually.

First-Year Seminar

  
  • FYSM 10100 - First-Year Seminar

    Course Credit: 1
    Maximum Credit: 0
    FIRST-YEAR SEMINAR IN CRITICAL INQUIRY Required of all first-year students, the First-Year Seminar in Critical Inquiry focuses on the processes of critical inquiry in a writing-intensive, small seminar. Each seminar invites students to engage a set of issues, questions, or ideas that can be illuminated by the disciplinary and interdisciplinary perspectives of the liberal arts. Seminars are designed to enhance the intellectual skills essential for liberal learning and for successful participation in the College’s academic program. First-Year Seminar may not be taken. S/NC Annually.

French and Francophone Studies

  
  • FREN 10100 - Level I Beginning French

    Course Credit: 1
    Maximum Credit: 0
    LEVEL I BEGINNING FRENCH An introduction to understanding, speaking, reading, and writing French. Acquisition of basic structure, conversational practice, short readings, and compositions. Cultural content. Extensive use of authentic video and audio materials. Annually.
  
  • FREN 10200 - Level II Beginning French

    Course Credit: 1
    Maximum Credit: 0
    LEVEL II BEGINNING FRENCH Continuation of FREN 10100 with increased emphasis on conversational, reading, and writing skills. Prerequisite(s): FREN-10100 Annually.
  
  • FREN 20100 - Conversations With the Francophone World

    Course Credit: 1
    Maximum Credit: 0
    CONVERSATIONS WITH THE FRANCOPHONE WORLD Intensive practice in conversational French. Course includes cultural explorations in the Francophone world and work with grammar, vocabulary, and appropriate texts. Prerequisite(s): Take FREN-10200 or placement Annually. [C]
  
  • FREN 20300 - French Composition

    Course Credit: 1
    Maximum Credit: 0
    FRENCH COMPOSITION Intensive practice in writing and reading, with a focus on writing strategies, the writing process, and different kinds of writing. Continued study of French vocabulary and grammar. Prerequisite(s): Take FREN-10200 or equivalent Annually. [W]
  
  • FREN 21600 - Advanced French

    Course Credit: 1
    Maximum Credit: 0
    (GLIS)
    ADVANCED FRENCH Practice in listening, speaking, reading, and writing at an advanced level. Review of linguistic structures focusing on questions of usage and style. Extensive use of multi-media resources; reading on multiple topics. Prerequisite(s): Take FREN-20300 or equivalent Annually. [C, W]
  
  • FREN 21800 - French Phonology

    Course Credit: 1
    Maximum Credit: 0
    (GLIS)
    FRENCH PHONOLOGY Introduction to phonetics and phonology of the French language. Analysis of spoken French, including phonetic transcription. Extensive use of audio materials. Oral drill to improve pronunciation and diction. Prerequisite(s): Take FREN-21600 or equivalent [AH]
  
  • FREN 22000 - French/Francophone Text, Image, and Film

    Course Credit: 1
    Maximum Credit: 0
    (CMLT, GLIS)
    BETWEEN THE LINES: FRENCH/FRANCOPHONE TEXT, IMAGE, AND FILM This course explores a sampling of authors and works that have helped to shape French and Francophone thought and cultures from the Renaissance to the present day. Students will develop an understanding of selected texts’ important literary, philosophical, historical, and cultural contexts. Students will acquire a broadened palette of analytical tools that will enable them to become skilled readers of multiple kinds of texts: poetry and prose, but also historical documents, films, editorials, political speeches, etc. Through extended classroom discussions and a sustained focus on textual analysis and writing, this course seeks to help students improve their linguistic and analytical skills, preparing for more advanced coursework in French and Francophone Studies. Prerequisite(s): Take FREN-21600 or permission of instructor Annually. [AH, C, W]
  
  • FREN 22403 - Contemp France: Econ/Soc/Institutions

    Course Credit: 1
    Maximum Credit: 0
    (GLIS)
    CONTEMPORARY FRANCE: ECONOMY, SOCIETY, INSTITUTIONS This course uses a number of different lenses to explore French society, French identity, and the French state from World War Two to the present. Topics to be covered include: the modernization of France; work, unemployment and the welfare state; the French school system; and immigration and national identity. Prerequisite(s): Take FREN-21600 or permission of instructor. [AH, C, GE]
  
  • FREN 22406 - Mediterranean Crossings: North Africa, And France in Historical Perspective

    Course Credit: 1
    Maximum Credit: 0
    (GLIS, MENA)
    MEDITERRANEAN CROSSINGS: NORTH AFRICA AND FRANCE IN HISTORICAL PERSPECTIVE This course explores France’s deep and often problematic relationships with the francophone Maghreb (Morocco, Algeria, and Tunisia). Through a selection of historical and cultural readings, memoirs, novels and films, the course examines the evolution of these relationships from the nineteenth century and up to the present day. Prerequisite(s): Take FREN-21600 or permission of instructor. [AH, C, D, GE]
  
  • FREN 31000 - French Theatre

    Course Credit: 1
    Maximum Credit: 0
    FRENCH THEATER This course explores the evolution of French theater from the seventeenth century to the present through the study of works by major playwrights, including Corneille, Molière, Racine, Marivaux, Beaumarchais, Rostand, Jarry, Sartre, Beckett and Reza. Attention will be paid to dramatic theory and to the historical and cultural contexts in which plays were produced. Prerequisite(s): FREN-22000 or FREN-22400 [AH, C]
  
  • FREN 31900 - Applied Linguistics (in English)

    Course Credit: 1
    Maximum Credit: 0
    (GLIS)
    APPLIED LINGUISTICS Taught in English. Linguistic theory and its application in the teaching of foreign languages. Offered jointly by the departments of French, German, and Spanish. Individual practice for the students of each language. Required for certification of prospective teachers of French. Prerequisite(s): Take FREN-20100.
  
  • FREN 32200 - Truth vs. Fiction in 17th Centry France

    Course Credit: 1
    Maximum Credit: 0
    (CMLT)
    SEEING IS BELIEVING? TRUTH VS. FICTION IN 17TH-CENTURY FRANCE An examination of works that explore the relationship between language, art, knowledge and power in the Age of Absolutism. Authors studied include Mme. de Lafayette, Madeleine de Scudéry, Racine, La Fontaine and Molière. Prerequisite(s): FREN-22000 or FREN-224xx [AH, C, GE]
  
  • FREN 32400 - Religion, Reason, & Revolution

    Course Credit: 1
    Maximum Credit: 0
    (WGSS)
    RELIGION, REASON AND REVOLUTION: REMAKING THE WORLD IN ENGLIGHTENMENT FRANCE This course explores the ways in which current debates in France about religion, civil society, gender roles, free speech and civil protest are informed by literary works, art, philosophy, and political writings of the Enlightenment. Prerequisite(s): FREN-22000 or FREN-22400 [AH, C]
  
  • FREN 33001 - Journeys in the French-Speaking, Caribbean

    Course Credit: 1
    Maximum Credit: 0
    JOURNEYS IN THE FRENCH-SPEAKING CARIBBEAN This course examines the complex history and diverse cultural encounters that have shaped Haiti, Martinique, Guadeloupe, and French Guiana. These territories will be situated and studied within the broad context of the Atlantic world, with particular emphasis on intersections with France and the United States. Prerequisite(s): FREN-22000 or FREN-224xx; or permission of the instructor. [AH, C, GE]
  
  • FREN 33002 - Remembering War

    Course Credit: 1
    Maximum Credit: 0
    REMEMBERING WAR This course explores the memory of the First World War, the Second World War and the Algerian War of Independence in French society. This examination will be conducted through literature, films and historiographical texts. Prerequisite(s): FREN-22000 or FREN-224xx; or permission of the instructor. [AH, C]
  
  • FREN 33003 - Youth & Educ in France: May 1968-, Present

    Course Credit: 1
    Maximum Credit: 0
    YOUTH & EDUCATION IN FRANCE: FROM MAY This course examines contemporary France through the experiences of the nation’s youth. Throughout the semester, we will compare the challenges of being young, going to school, and growing up in France to equivalent experiences in the United States or in other countries. Prerequisite(s): FREN-22000 or FREN-224xx [AH, C]
  
  • FREN 33500 - W. Afr. & France: Encounters Since 1900, Africa

    Course Credit: 1
    Maximum Credit: 0
    (AFST, CMLT)
    WEST AFRICA & FRANCE: ENCOUNTERS SINCE 1900 This course explores complex encounters that have shaped both France and francophone West Africa, a region that includes the present-day countries of Senegal, Mauritania, Guinea, Ivory Coast, Benin, Togo, Mali, Burkina Faso, and Niger. Tacking back and forth between West African and French contexts, we will examine themes such as colonialism, decolonization, nation-building, migrations, immigrant communities, diaspora, and francophonie. Prerequisite(s): FREN-22000 or FREN-224xx [AH, C, D, GE]
  
  • FREN 39900 - Topics in Adv. French & Francophone Stud

    Course Credit: 1
    Maximum Credit: 0
    (CMLT, GLIS)
    TOPICS IN ADVANCED FRENCH AND FRANCOPHONE STUDIES [HSS]
  
  • FREN 39902 - Tracing Colonial Racism in Franco-Europe

    Course Credit: 1
    Maximum Credit: 0
    TRACING COLONIAL RACISM IN FRANCO-EUROPEAN COMIC BOOKS This course focuses on the representation of Black characters in popular Franco European comic book series such as The Adventures of Tintin, Lucky Luke, Spirou and Fantasio and Astérix. Originally published at a time when France and Belgium still possessed colonial empires, these series are products of their time and are filled with colonial ideology and racist imagery. The wars of decolonization/independence and the works of Francophone Caribbean and African intellectuals who initiated the Négritude, a movement that denounced colonialism and racism, have not been enough to stop these racist caricatures. Students will be expected to analyze the historical roots of these racist images, as well as be able to identify and question their usage in today’s Francophone graphic novels. This course will be conducted entirely in French. Prerequisite(s): FREN-21600
  
  • FREN 40000 - Tutorial

    Course Credit: 1
    Maximum Credit: 0
    TUTORIAL May be repeated.
  
  • FREN 41000 - Internship

    Course Credit: 0.25
    Maximum Credit: 1
    This course can only be added to your schedule by visiting the Registrar’s Office. If you do not visit the Registrar’s office, you cannot add this course to your schedule. A structured, usually off-campus experience, in which a student extends classroom knowledge to a work position within a community, business, or governmental organization. Student interns work and learn under the joint guidance of a host organization supervisor and a College of Wooster mentor. The student must arrange the internship in advance through the appropriate department or program. No more than six internships, and a maximum of four Wooster course credits, will count toward graduation. The form for registering for an internship and the Internship Learning Plan are available on the office Registrar’s website. May be repeated. S/NC
  
  • FREN 43000 - Experience in the Discipline

    Course Credit: 0.25
    Maximum Credit: 0
    EXPERIENCE IN THE DISCIPLINE A structured learning activity in which students use their academic knowledge to engage in an experience that has real-world implications. Incorporates best practices in experiential learning. Typically includes an off-campus component. May be repeated. S/NC
  
  • FREN 45100 - Independent Study Thesis

    Course Credit: 1
    Maximum Credit: 0
    INDEPENDENT STUDY THESIS The first semester of the Senior Independent Study project, in which each student engages in creative and independent research guided by a faculty mentor. Annually.
  
  • FREN 45200 - Independent Study Thesis

    Course Credit: 1
    Maximum Credit: 0
    INDEPENDENT STUDY THESIS The second semester of the Senior Independent Study project, which culminates in the finished thesis or an equivalent project and an oral examination. Prerequisite(s): FREN-45100 Annually.

German Studies

  
  • GRMN 10100 - Beginning German Level I

    Course Credit: 1
    Maximum Credit: 0
    (GERS)
    BEGINNING GERMAN LEVEL I An introduction to understanding, speaking, reading, and writing German in a cultural context. Acquisition of basic structure, conversational practice, short readings, and compositions. Use of authentic video and audio materials. Four hours per week. Annually.
  
  • GRMN 10200 - Beginning German Level II

    Course Credit: 1
    Maximum Credit: 0
    (GERS)
    BEGINNING GERMAN LEVEL II Continuation of GRMN 10100 with increased emphasis on conversation, cultural material, and reading authentic texts, including two children’s books. For students who have had GRMN 10100 or equivalent training, to be determined by placement test. Four hours per week. Annually.
  
  • GRMN 20100 - Intermediate German Level I

    Course Credit: 1
    Maximum Credit: 0
    (GERS)
    INTERMEDIATE GERMAN LEVEL I A skills-building course to follow GRMN 10200 or equivalent, to be determined by placement test. Emphasis on reading literary texts of moderate difficulty, improving proficiency in writing and speaking, and exposure to culture material. The German major and minor begin with GRMN 20100. Prerequisite(s): GRMN-10200 or equivalent or placement Annually. [C]
  
  • GRMN 20200 - Intermd German Level II

    Course Credit: 1
    Maximum Credit: 0
    (GERS)
    INTERMEDIATE GERMAN LEVEL II Current issues through literary texts and media. More advanced readings and discussion of contemporary life in the German-speaking countries as reflected in newspapers, magazines, television, and film. Prerequisite(s): Take GRMN-20100 or equivalent. Annually. [C]
  
  • GRMN 22700 - German Literature in Translation

    Course Credit: 1
    (CMLT, GERL, GERS, WGSS)
    GERMAN LITERATURE IN TRANSLATION Taught in English. Selected readings from classical and contemporary German authors. Sample topics: German Literature East and West Since 1945; Contemporary German Literature by Women; Modern German Theater; Fairy Tales and Gender. [AH, C]
  
  • GRMN 22802 - German Film & Society

    Course Credit: 1
    Maximum Credit: 0
    (CMLT, FILM, GERS, GMDS)
    GERMAN FILM & SOCIETY This course examines major developments in German cinema from the early twentieth to the 21st centuries. The class will focus on important movements, directors, genres, stars, etc. in the history of German film and socio-political matters facing Weimar and Nazi Germany, post-war West and East German states, and major themes and trends in the cinema of unified Germany. Students will study and practice the tools of film analysis. No previous knowledge of German or film criticism/theory is required. [AH, C]
  
  • GRMN 22809 - Hygiene: Bodies, Bacteria, and Moral Pan

    Course Credit: 1
    Maximum Credit: 0
    Hygiene: Bodies, Bacteria, and Moral Panic in Germany, 1900-1945 In this course, students study the rise of the modern social hygiene movement in Germany from the turn of the 19thcentury through the Nazi period. Broadly defined as the health and wellness of the individual, hygiene was embraced by doctors, politicians, and everyday citizens to improve the individual for the benefit of the state. Hygiene not only encompassed modern living conditions-the management of sewage and clean water, the cleanliness of city streets and living quarters-but also daily concerns, from personal nutrition and clothing, to sport and the risk of disease, to more intimate issues of sex, marriage, and child-rearing. Analyzing medical treatises, popular literature, and films for “public hygiene enlightenment,” students will assess hygiene’s biopolitical implications. We explore how proponents of the social hygiene movement championed nudism, espoused “racial hygiene,” condemned prostitution, launched smoking-cessation campaigns, and backed the budding science of sexology, using hygiene to lay claims to the body for the supposed benefit of society. We will also consider hygiene’s manifestations in contemporary Germany, using the lens of hygiene to explore discussions surrounding immigration, sexuality, body optimization, and medical surveillance. [AH, C]
  
  • GRMN 23000 - Theaterpraktikum

    Course Credit: 1
    Maximum Credit: 0
    (GERS, GLIS)
    THEATERPRAKTIKUM Dramatic readings and play production, in German. Ideal for students wishing to maintain and build speaking proficiency and self-confidence. No acting experience required. May be taken more than once, but only one of these may count toward the minimum eleven courses for the major or minor. Prerequisite(s): Take GRMN-20100 or permission of instructor [AH, C]
  
  • GRMN 25000 - Advanced German: Texts & Contexts

    Course Credit: 1
    Maximum Credit: 0
    (GERS, GLIS, GMDS)
    ADVANCED GERMAN: TEXTS AND CONTEXTS Reading, discussion of, and writing about important themes, events and texts (e.g. short stories, short novels, personal narratives, films) from the 20th century, presented in their socio-historical contexts. Special emphasis on developing students’ reading and formal conversation skills and on cultural literacy. Continued practice of complex grammar structures and systematic vocabulary building. Prerequisite(s): Take GRMN-20200 Annually. [AH, C, GE]
  
  • GRMN 26000 - Kulturkunde: Intro to German Studies

    Course Credit: 1
    Maximum Credit: 0
    (CMLT, GERS, GLIS)
    KULTURKUNDE: INTRODUCTION TO GERMAN STUDIES A survey of the cultural history of the German-speaking world, with particular attention to the social matrix in which German cultural institutions function. An introduction to the methods and resources of German Studies as an interdisciplinary area of study. Must be taken at the College of Wooster. Prerequisite(s): Take GRMN-25000 Annually. [AH, C, W]
  
  • GRMN 30005 - After the Holocaust (post-1945)

    Course Credit: 1
    Maximum Credit: 0
    (GERS)
    AFTER THE HOLOCAUST (POST-1945) Over the course of the fall semester, we will examine major themes that shaped German culture from the end of the Second World War and the Holocaust to the unification of East and West and beyond. The following questions will help guide our focus: How did the two German states rebuild their modern identities? What ways did artists find to deal with, or to put aside, the recent Nazi past and the atrocities committed in the state’s name? What dominant issues emerged in the public debate in each decade after the war? How do social categories like race, class, gender, and sexuality play into visions of German identity in East and West? Taught in German Prerequisite(s): GRMN-26000 [AH, C]
  
  • GRMN 31900 - Applied Linguistics

    Course Credit: 1
    (GERS, GLIS)
    Taught in English. Linguistic theory and its application in the teaching of foreign languages. Offered jointly by the departments of French, German, and Spanish. Individual practice for the students of each language. Required for licensure of prospective teachers of German.
  
  • GRMN 34000 - Major Themes in German Literature

    Course Credit: 1
    Maximum Credit: 0
    (CMLT, GERS, GLIS)
    MAJOR THEMES IN GERMAN LITERATURE AND CULTURE A study of dominant recurring themes that cross period and genre lines and are important to the German cultural tradition. Topics will vary from year to year - e.g., Travel and Migration; The Artist and Society; The German Middle Ages; Fiction, History, and Memory; Nature, Space, and Place. May be repeated. Prerequisite(s): Take GRMN-26000 or permission of instructor. [AH, C, GE]
  
  • GRMN 34005 - Transnational Enct Contemp Grmny (grmn)

    Course Credit: 1
    Maximum Credit: 0
    (CMLT, GERS, GLIS)
    Transnational Encounters in Contemporary Germany (in German) A study of cultural texts and contemporary readings on the subjects of immigration, mobility, immigrational refugees, travel, and national identity with a focus on German-speaking countries. Prerequisite(s): Take GRMN-26000 or permission of instructor. [AH, C, GE]
  
  • GRMN 34008 - Die Reise:German Counterculture 1968-78

    Course Credit: 1
    Maximum Credit: 0
    DIE REISE: GERMAN COUNTERCULTURE 1968-1978 “Die Reise: German Counterculture 1968-78” examines the culture and politics of West Germany through the lens of counter-cultural musical and literary production. Taking the Weimar Republic as its point of departure, it investigates: historical relations between intoxication and violence; the echoes of early 20th-century philosophical musical debates in the music of the late 60s and 70s; relations between American and German music, politics, and culture; the German response to the Vietnam War; and revolutionary politics. Over the semester, students will engage with literary texts, manifestos, music and film, tracing the period’s moves from analog to digital, from psychedelics to amphetamines, from peace and love to terrorism. Prerequisite(s): GRMN-26000; or permission of instructor [AH, C]
  
  • GRMN 34009 - German Comics & Social Justice

    Course Credit: 1
    Maximum Credit: 0
    GERMAN COMICS & SOCIAL JUSTICE The multiple dimensions of comics make it a unique medium through which to discuss social justice issues. Unlike traditional texts, spatial and temporal fragmentation of social justice themes and visual cues on race, gender, class and ability asks readers to question assumptions, stereotypes and the impact of specific narrative strategies on social justice issues. This course looks at the case of German-language comics, with a primary focus on how comics fundamentally demonstrate the importance of representation, and how they communicate experiences that are often difficult to translate into words alone, such as depression, oppression, trauma and silence. Taught in German. [AH, GE, SJ]
  
  • GRMN 34010 - Black Germany in History, Lit, & Film

    Course Credit: 1
    Maximum Credit: 0
    Black Germany in History, Literature & Film Overview of Africa-descended people in German-speaking lands from 18th century to present-day, including colonial history, racial theory, American GIs, reunification, Afro-German community. Readings & films in English and German, class discussion & written work in German. Prerequisite GRMN 26000 or special permission. Prerequisite(s): GRMN-26000; or special permission [AH, C, GE]
  
  • GRMN 40000 - Tutorial

    Course Credit: 0.25
    Maximum Credit: 1
    (GERS)
    TUTORIAL Individually supervised readings on a special topic. By prior arrangement with the department only. May be repeated. Prerequisite(s): Take GRMN-25000 or equivalent; The approval of both the supervising faculty member and the Chairperson is required prior to registration.
  
  • GRMN 40100 - Independent Study

    Course Credit: 1
    Maximum Credit: 0
    (GERS)
    JUNIOR INDEPENDENT STUDY Bibliography and research methods in German, including the preparation of two shorter papers or one longer research paper. Normally taken Semester II of the junior year. If a Junior Year Abroad is planned, GRMN 40100 should be taken Semester II of the sophomore year. If a one-semester program abroad is planned, it should be Semester I so that GRMN 40100 can be taken Semester II. Annually.
  
  • GRMN 41000 - Internship

    Course Credit: 0.25
    Maximum Credit: 1
    INTERNSHIP May be repeated.
  
  • GRMN 43000 - Experience in the Discipline

    Course Credit: 0.25
    Maximum Credit: 0
    Experience in the Discipline A structured learning activity in which students use their academic knowledge to engage in an experience that has real-world implications. Incorporates best practices in experiential learning. Typically includes an off-campus component. May be repeated. S/NC
  
  • GRMN 45100 - Independent Study Thesis

    Course Credit: 1
    Maximum Credit: 0
    (GERS)
    INDEPENDENT STUDY THESIS The first semester of the Senior Independent Study project, a two-semester course in thesis preparation taken in the senior year, supervised by a departmental adviser and approved by oral examination by the department in the second semester. Prerequisite(s): GRMN-40100 Annually.
  
  • GRMN 45200 - Independent Study Thesis

    Course Credit: 1
    Maximum Credit: 0
    (GERS)
    INDEPENDENT STUDY THESIS The second semester of the Senior Independent Study project, which culminates in the thesis and an oral examination. Prerequisite(s): GRMN-45100 Annually.

Global Media and Digital Studies

  
  • GMDS 11000 - Intro to Global Media & Digital Studies

    Course Credit: 1
    Maximum Credit: 0
    INTRODUCTION TO GLOBAL MEDIA AND DIGITAL STUDIES This course broadly explores the production, distribution and reception of cultural forms across the globe. Beyound the historical background, the course will explore the various approaches used to understand the global flows of media, from cultural imperialism to hybridization. Specifically, it will examine theories and issues related to the global function of the news media, entertainment industry and telecommunication sector. Students wil also come to appreciate how global media shapes our understanding of global dynamics such as geopolitics.
  
  • GMDS 12000 - Intro to Media & Cultural Studies

    Course Credit: 1
    Maximum Credit: 0
    INTRODUCTION TO MEDIA AND CULTURAL STUDIES This course introduces students to the theory and practice of media studies through a critical cultural studies perspective. The media is an important part of contemporary society, shaping the way we understand the world and how we engage with others. We will examine the relationship between media institutions, texts and audiences, paying attention to the historical, cultural, political and economic contexts. Students will come to understand how power operates in the production, circulation and reception of meaning. The goal of this course is to expose students to theories, concepts and research that broaden the understanding of the role of media in the society. It will also encourage students to desire to better understand and explain the significance of media and social processes that enable and constrain media making.
  
  • GMDS 13000 - Introduction to Film Studies

    Course Credit: 1
    Maximum Credit: 0
    INTRODUCTION TO FILM STUDIES This course is an introduction to film analysis that examines critical approaches to authorship, genre, presentation, and narrative. The main objective will be to help students develop the analytic tools necessary for understanding how meaning is constructed in narrative cinema. Students will become literate in the language of cinema and learn basic film concepts, techniques, and terminology in an effort to appreciate films more completely. The course examines how films are shot, tell stories, develop characters and depict physical reality through the combined, constructed medium of sound and image. Introduction to Film Studies is designed for students who enjoy movies but may lack the experience to make viable interpretive arguments about them. We will also pay close attention to multiple ways in which digital technologies have altered the construction of narrative in Hollywood and other national cinemas.
  
  • GMDS 14000 - Introduction to Digital Studies

    Course Credit: 1
    Maximum Credit: 0
    INTRODUCTION TO DIGITAL STUDIES Introduction to Digital Studies is designed to introduce students to a range of topics and practices in this diverse, complex, and rapidly changing field. This course is inclusive: students are neither required nor expected to have previous coding or other technical experience - only a willingness to learn, patience, and persistence! The course combines digital inquiry, creativity, and hands-on practice, asking students to think critically about the digital artifacts we consume, produce, and share on a daily basis while becoming mindful makers of digital texts. By applying computational tools to humanities questions, students will learn to create digital media that satisfies their own thoughtfully developed criteria - creative, ethical and technical. Over the semester, we will explore ditial sound, image, movement and interactivity, developing skills on several platforms by producing artifacts for each.
  
  • GMDS 16000 - Digital Voices: Writing Travel

    Course Credit: 1
    Maximum Credit: 0
    DIGITAL VOICES: WRITING TRAVEL This course will use the power of digital communication to create a community of writers and travelers. In it, you’ll explore the world that surrounds you - even if you travel no further than Lowry on a given day - and experiment with new ways to communicate your experiences to others. Digital writing and reading assignments are designed to expand your understanding of contemporary modes of communication, and also to guide you in describing, and thus shaping, your experiences, thereby integrating them into your larger personal and intellectual journeys. [AH, W]
  
  • GMDS 19900 - Special Topics in GMDS

    Course Credit: 1
    Maximum Credit: 0
    SPECIAL TOPICS IN GMDS An exploration of selected current topics in global media, film, and digital studies. Topics vary and are announced in advance. Students may repeat enrollment in the course, as the topic varies.
  
  • GMDS 19901 - Digital Media in Everyday Lives

    Course Credit: 1
    Maximum Credit: 0
    DIGIAL MEDIA IN EVERYDAY LIVES Why is the study of “everyday life” important, and how has digital media become an integral part of our everyday lives and identities? Everyday life is thus an important topic of study because it is the small, seemingly inconsequential actions that chisel out the ultimate shape that our lives take. Increasingly, digital media, social networks, and quick media applications have become an essential element of those day-to-day actions. In this course, we will situate digital media among our everyday lives and examine the shifts that these technologies have brought about in our daily routines. This class will offer insights into the ways we interact with media, including an investigation into how media become immersive and intimate. We will also focus extensively on the shift taking place around us right now: technology and the Internet is with us at all times due to the pervasiveness of mobile media in our lives. Finally, this course offers “an examination of how digital communication technologies create and promote digital identities and digital social spaces, as well as interpersonal and communal interactions.” [D]
  
  • GMDS 21000 - Global Media

    Course Credit: 1
    Maximum Credit: 0
    (COMS)
    GLOBAL MEDIA This course explores the phenomenon of global media, specifically the wide range of activities associated with the dense transnational networks of media (such as news, entertainment, propaganda, and publicity), as well as the technical infrastructures that make it possible and commonplace to distribute messages and texts across vast distances with little or no delay. The class’s perspective is both historical and comparative. Prerequisite(s): TAKE GMDS-11000 GMDS-12000 GMDS-13000 [AH]
  
  • GMDS 21100 - Political Economy of Media

    Course Credit: 1
    Maximum Credit: 0
    (COMS)
    POLITICAL ECONOMY OF MEDIA This course presents basic concepts and principles that are used to understand the economic structure and policies that influence communication and media systems. This course introduces microeconomic and macroeconomic principles analyzing contemporary issues in communication and media industries from an economic perspective. The course begins with introducing key concepts on economic principles and political economy for communication and media, and then applies these principles first to three core industries/platforms - broadcasting, the newspaper inductry, and the Internet - then to the Motion pictures, Music, Video Games, Advertising and Public Relations industries. Prerequisite(s): TAKE GMDS-11000 GMDS-12000 GMDS-13000 [AH]
  
  • GMDS 21200 - Cultural Studies and Power

    Course Credit: 1
    Maximum Credit: 0
    (COMS)
    CULTURAL STUDIES AND POWER This course is an introduction to cultural studies and theory. We will discuss current trends and discussions in cultural studies, and raise questions about literature, politics, subalternity, sexuality, gender, feminism, urban studies, revolutions, race/ethnicity, and multiculturalism, among others. Prerequisite(s): TAKE GMDS-11000 GMDS-12000 GMDS-13000 [AH, D, SJ]
  
  • GMDS 23100 - Visualizing Information

    Course Credit: 1
    Maximum Credit: 0
    (COMS)
    VISUALIZING INFORMATION This course introduces students to the visualization of information in digital and interactive media. It will also offer students the basics for becoming successful visual communicators. Drawing on theory and practice, this course generally covers the basics of graphic design, including the following topics: visual perception theories, color theory, typography, and elements and principles of design. Students will develop research skills, practice-based knowledge in visual communication and analytical skills for design critique. Students will also be introducted to the following design software: Adobe Illustrator, Photoshop and InDesign.
  
  • GMDS 23200 - An Introduction to Digital Humanities

    Course Credit: 1
    Maximum Credit: 0
    (COMS)
    AN INTRODUCTION TO DIGITAL HUMANITIES Can a machine tell me what books are about? What happens when we can visualize literary movements? Can we teach computers to read? When we apply digital research methods or digital modes of thought to our humanistic questions, we’re engaged in a burgeoning field broadly conceived as Digital Humanities (DH). In this introductory course we will explore the discourses of DH, we will experiment with digital tools and research methods, and we will become practicing digital humanists through a critical engagement with those tools, methods, and discourses. [AH]
  
  • GMDS 25000 - Transnational Approaches on Media & Film

    Course Credit: 1
    Maximum Credit: 0
    (COMS)
    TRANSNATIONAL APPROACHES ON MEDIA & FILM This course explores a variety of the key concepts, debates and theoretical approaches to media and film studies which problematize the idea of ‘national’ and ‘world’ cinemas. The developing area of transnational media and film criticism engages with the shifting dynamics of global distribution and reception, and analyses the changes in media and film language, theme and form. The course will begin with a reflection about globalization, identities and local cultures and their tensions with the constitution of a global culture. Then, it will focus on transnational and global approaches and theoretical frameworks to examine media and film texts. In addition, the impact of how new media technologies have shaped cultural identities and audience are examined within the context of several case studies.
  
  • GMDS 29900 - Advanced Special Topics in GMDS

    Course Credit: 1
    Maximum Credit: 0
    ADVANCED SPECIAL TOPICS IN GMDS An exploration of advanced study in selected current topics in global media, film, and digital studies. Topics vary and are announced in advance. Students may repeat enrollment in the course, as the topic varies.
  
  • GMDS 30000 - Research Methods in Global Media & Digit

    Course Credit: 1
    Maximum Credit: 0
    (COMS)
    RESEARCH METHODS IN GLOBAL MEDIA & DIGITAL STUDIES This class explores some of the major methodological approaches available to global media and digital studies researchers. Major methods in critical theory, cultural studies, film studies, digital communication, gender/queer studies, decoloniality, and transnationalization are addressed. Special attention is paid to the many digital communication technologies that have emerged in the last twenty years. These include but are not limited to the questions regarding Internet, digital film, video games, mobile communication systems, social networks, online writing, and databases. Students create digital visual images and analyze designs from historical and theoretical perspectives. Students will examine visual experience, global media and digital studies in broad terms, from the perspectives of creators and viewers. Prerequisite(s): GMDS-11000 or GMDS-12000, and 1 200-level GMDS course
  
  • GMDS 35000 - Special Topics in Global Media

    Course Credit: 1
    Maximum Credit: 0
    (COMS)
    SPECIAL TOPICS IN GLOBAL MEDIA Prerequisite(s): GMDS-11000, GMDS-12000, GMDS-13000, GMDS-14000 or COMM-11100
  
  • GMDS 35001 - Global Advertising & Consumer Culture

    Course Credit: 1
    Maximum Credit: 0
    (COMS)
    GLOBAL ADVERTISING AND CONSUMER CULTURE This course will cover major concepts and issues in global and cross-cultural advertising and consumer culture. We will examine campaign planning, including primary and secondary research to assess cultural environments, setting objectives, budgeting, media, creativity, ethics, and social responsibility. We will also analyze aspects of multicultural consumers (i.e., race and ethnicity, gender, sexuality, nationality) within global advertising and consumer culture contexts, including in the new media environment. We will focus on the development of consumer culture, its history, and different elements. Hence, we will try to explain how and why companies are contributing to global consumer culture. Prerequisite(s): GMDS-11000, GMDS-12000, GMDS-13000, GMDS-14000 or COMM-11100
  
  • GMDS 35100 - Special Topics in Film Studies

    Course Credit: 1
    Maximum Credit: 0
    (COMS)
    SPECIAL TOPICS IN FILM STUDIES
  
  • GMDS 35101 - Horror and Mystery Film

    Course Credit: 1
    Maximum Credit: 0
    HORROR AND MYSTERY FILM This course traces the development and popularity of two popular film genres, horror and mystery. While horror film explores our deepest personal anxieties and our most profound social fears, mystery films offer to escape to the world of crime and murder. As a result, while horror film tells us more about ourselves and our society than any other film genre, mystery films intrigue us with human psychology. This course is designed to provide a survey of horror and mystery films. This course applies the language of film analysis, and we will examine the social and cultural dimensions of the “fear” and “crime” response that horror and mystery films represent. Prerequisite(s): GMDS-11000, GMDS-12000, GMDS-13000, GMDS-14000, or COMM-11100
  
  • GMDS 35200 - Special Topics in Digital Studies

    Course Credit: 1
    Maximum Credit: 0
    (COMS)
    Special Topices in Digital Studies
  
  • GMDS 40000 - Tutorial

    Course Credit: 0.25
    Maximum Credit: 1
    TUTORIAL May be repeated.
  
  • GMDS 43000 - Experience in the Discipline

    Course Credit: 0.25
    Maximum Credit: 0
    Experience in the Discipline A structured learning activity in which students use their academic knowledge to engage in an experience that has real-world implications. Incorporates best practices in experiential learning. Typically includes an off-campus component. May be repeated. S/NC
  
  • GMDS 45100 - Senior Independent Study

    Course Credit: 1
    Maximum Credit: 0
    INDEPENDENT STUDY THESIS
  
  • GMDS 45200 - Senior Independent Study

    Course Credit: 1
    Maximum Credit: 0
    INDPENDENT STUDY THESIS

Greek

  
  • GREK 10100 - Beginning Greek Level I

    Course Credit: 1
    Maximum Credit: 0
    (AMST, CLST)
    BEGINNING GREEK LEVEL I An introduction to the grammar, syntax, and vocabulary of classical Attic Greek. Emphasis on reading continuous passages in ancient Greek and appreciation of their cultural context. Annually.
  
  • GREK 10200 - Beginning Greek Level II

    Course Credit: 1
    Maximum Credit: 0
    (AMST, CLST)
    BEGINNING GREEK LEVEL II Continued work in Attic Greek grammar and readings, including selections from prose authors, such as Herodotus, Thucydides, and Plato. Annually.
  
  • GREK 20100 - Seminar in Greek Literature I, Intermediate Level I

    Course Credit: 1
    Maximum Credit: 0
    (AMST, ARCH, CLST, CMLT)
    SEMINAR IN GREEK LITERATURE (INTERMEDIATE LEVEL I) Offered in conjunction with GREK 30100. Translation and careful study of continuous passages selected from several representative Greek texts - for instance, works of Homer, Hesiod, selected Greek lyric poets, Sophocles, Euripides, Thucydides, Herodotus, Plato, Aristotle, Attic orators, and occasionally non-literary materials (e.g., inscriptions or papyrus). A review of basic grammar; instruction in the use of commentaries, lexicon, reference works, and scholarly literature; an introduction to textual analysis, both literary and historical, and the Major in Classical Studies. Readings will change from year to year. In fall 2016, students will read a variety of styles and genres from the New Testament in koine Greek. Prerequisite(s): GREK-10200, or placement Annually. [AH]
  
  • GREK 20200 - Seminar in Greek Literature II

    Course Credit: 1
    Maximum Credit: 0
    (ARCH, CLST, CMLT)
    SEMINAR IN GREEK LITERATURE II (INTERMEDIATE LEVEL II) Intensive readings in and critical study of significant Greek texts. Course may be arranged around a particular author, genre, period, or topic. Readings will change from year to year. Offerings may include Homer and the Epic Tradition; Greek Historians: Herodotus and Thucydides; Greek Lyric Poetry; The Dialogues of Plato; Greek Tragedy: Sophocles and Euripides; The Greek New Testament; The Greek Novel; and The Biography in Greek. Prerequisite(s): GREK-20100; or placement. Annually. [AH]
  
  • GREK 30100 - Advanced Seminar in Greek Literature I

    Course Credit: 1
    Maximum Credit: 0
    (CLST, CMLT)
    SEMINAR IN GREEK LITERATURE (ADVANCED LEVEL 1) Offered in conjunction with GREK 20100. An in-depth translation and examination of representative texts-for instance, Homer, Hesiod, selected Greek lyric poets, Sophocles, Euripides, Thucydides, Herodotus, Plato, Aristotle, Attic orators, and occasionally non-literary materials (e.g., inscriptions or papyrus). Peer teaching of Greek grammar; active engagement with commentaries, reference works, and the scholarly literature; textual analysis, both literary and historical, as well as theoretical approaches to Greek history and Greek literature. Readings will change from year to year. May be repeated once for credit. Prerequisite(s): GREK-20100, or placement Annually. [AH]
  
  • GREK 30200 - Advanced Seminar in Greek Literature II

    Course Credit: 1
    Maximum Credit: 0
    (CLST, CMLT)
    ADVANCED SEMINAR IN GREEK LITERATURE II Offered in conjunction with GRK 20200. Intensive readings in and critical study of significant Greek texts. Course may be arranged around a particular author, genre, period, or topic. Readings will change from year to year. May be repeated once for credit. Alternate Years. [AH]
  
  • GREK 40000 - Tutorial

    Course Credit: 0.25
    Maximum Credit: 1
    (CLST)
    TUTORIAL Prerequisite: The approval of both the supervising faculty member and the chairperson is required prior to registration.
  
  • GREK 43000 - Experience in the Discipline

    Course Credit: 0.25
    Maximum Credit: 0
    Experience in the Discipline A structured learning activity in which students use their academic knowledge to engage in an experience that has real-world implications. Incorporates best practices in experiential learning. Typically includes an off-campus component. May be repeated. S/NC

History

  
  • HIST 10100 - Introducing Religion

    Course Credit: 1
    Maximum Credit: 0
    RELS 10100. INTRODUCING RELIGION An introduction to religion as a form of human behavior and to the study of religions, by means of studying current understandings of religion-related behaviors in human development, in human prehistories, and as identifiable cultural forms in emergent historical human cultures in the South Asian, East Asian, and Mediterranean worlds. [AH, HSS, R]
  
  • HIST 10102 - African Religions

    Course Credit: 1
    Maximum Credit: 0
    African Religions This course is designed to provide students with an integrated and general understanding of the history of African religions by focusing on three religious traditions of Africa, namely, Primal (African Traditional Religion, ATR), Christianity and Islam. In so doing, we intend to look at the dynamics undergirding the three religious traditions and broadly probe the contours of negotiated spaces in changing historical contexts. The presentation of the course is premised on the fact that the study of religion in Africa is vitally essential to the understanding of the manifold features of the African experiences. A prominent theme of the course is: continuity and change in Africa’s religious traditions. We view religion as a system meaning formations (valuations) about the cosmos and the place of human life in it. This kind of approach provides the lens through which we can examine African religions in their diversities and complexities. [HSS]
  
  • HIST 10103 - Intro: History of African-American Educ

    Course Credit: 1
    Maximum Credit: 0
    (GLIS)
    INTRO: HISTORY OF AFRICAN AMERICAN EDUCATION AND THE STRUGGLE FOR SOCIAL JUSTICE From clandestine education during the Antebellum era to the student movement for black studies programs in the 1960s and 1970s, education has been at the center of social and political reform in the United States, particularly in the African American community. However, the structure of African American education has been influenced and shaped by several debates: public vs. private, masculine vs. feminine, secular vs. non-secular, and liberal arts vs. industrial, which has, for better or worse, shaped the black experience. The goal of the seminar is to introduce the history of African American education and unpack various events and perspectives in the community to show not only how education influenced their lives, but how African Americans used their institutions as workshops for economic, political and social equity. A variety of topics will be covered including gender, education, race, religion, social movements, policies, and politics. Primary and secondary sources, as well as movies, images, and short films, will be discussed in this course. Students are expected to complete an independent project in this course. [C, HSS]
  
  • HIST 10132 - Crime & Punishment in Historical, Perspective

    Course Credit: 1
    Maximum Credit: 0
    (GLIS)
    10132. CRIME & PUNISHMENT IN HISTORICAL PERSPECTIVE Our subject is the history of crime and punishment in broad perspective, centering our attention on crimes of violence and state punishments in early modern and modern Europe, with occasional comparative looks to the contemporary United States. The course is structured around a series of questions. How have levels of violence changed from the early modern to the modern period? How have changes in violence been explained? How have particular crimes been understood in particular places at particular times? How has the apparatus of justice functioned? What have been the forms and the meanings of judicial punishments? How shall we interpret representations of crime and justice in literature and the press? In pursuing these questions, we will examine the analysis and debates of prominent historians together with accessible primary sources. Readings will include: Michel Foucault, Discipline and Punish, Peter Spierenburg, The Spectacle of Suffering, Eric Johnson, Urbanization and Crime in Germany, Emile Zola, Therese Raquin, and much more. [HSS]
  
  • HIST 10152 - African American History 1865-PRESENT

    Course Credit: 1
    Maximum Credit: 0
    AFRICAN AMERICAN HISTORY 1865 TO THE PRESENT This course surveys major themes in African American History from the start of the Civil War, through Reconstruction’s “long emancipation”-when African Americans were afforded some political rights-through the Jim Crow era when those rights were stripped away, and the Civil Rights Movement when they waged a valiant struggle to be included as first-class citizens. Students will explore not only how freedom expanded and contracted for African Americans across time and place, but the various strategies of protest and self-expression they used to gain equality and justice. [HSS]
  
  • HIST 10161 - Russia’s World War II: Film and History

    Course Credit: 1
    Maximum Credit: 0
    (FILM, GLIS, RUSS)
    RUSSIA’S WORLD WAR II: FILM & HISTORY The course explores the Soviet experience during World War II or what Russians refer to as “The Great Patriotic War.” Major themes include Stalin’s role in the war and the problem of leadership, the lives of common soldiers and the home-front, as well as the military dimension of the war. Film and fiction will be employed as primary sources to explore the memory of the war and its meaning for later generations of Russians. [GE, HSS]
 

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